Scene Queen

About Scene Queen

Scene Queen is the project of Hannah Collins, who took the metalcore scene's toxic gatekeeping and turned it into a weapon. She started making music around 2020, right when everyone was stuck inside, and carved out a niche that didn't really exist before: what she calls "bimbocore." Think neon pink aesthetics meeting breakdowns heavy enough to rattle your stereo, all while calling out the sexism that's plagued heavy music for decades.

Before Scene Queen, Collins was doing the typical musician grind, but something clicked when she started pairing hyperpop's sugary excess with metalcore's aggression. Her early singles got attention for being intentionally abrasive in multiple ways at once. The music was heavy, sure, but the real heaviness came from lyrics that named names and didn't soften the blow. "18+" became an anthem for anyone tired of being told they didn't belong in the pit.

Her 2022 debut album "Bimbocore" felt less like an introduction and more like she'd been doing this for years. Songs like "Pink Rover" and "The Rapture (But It's Pink)" solidified what she was doing: combining scene kid nostalgia with a sharp awareness of how women get treated in alternative spaces. It wasn't subtle, but subtlety wasn't the point. The production sat somewhere between early Blood on the Dance Floor chaos and the glossy maximalism of Charli XCX, which is either your thing or very much not.

By the time "Hot Singles In Your Area" dropped in 2023, she'd refined the formula without losing the edge. Tracks like "Frail Limbs Weak Heart" showed she could write hooks that stuck around after the breakdowns faded. "Scapegoat" hit different, turning childhood religious trauma into something that felt cathartic rather than performative. "Immaculate Conception" and "Betrayal Bonds" kept pushing the sound forward, adding more electronic elements without abandoning the core heaviness.

Scene Queen's whole deal is that she's extremely aware of what she's doing. The pink branding, the aggressive femininity, the callout culture embedded in the music—it's all deliberate. She's not trying to be palatable to the old guard of metalcore, and that's precisely why younger fans connect with it. Her shows are reportedly part concert, part catharsis session, with a crowd that treats her lyrics like rally cries.

Right now she's in that sweet spot where she's too established to ignore but still feels like she's building toward something bigger. Her recent work, including "It Gets Worse," shows someone getting more comfortable with experimentation while keeping the confrontational core intact. Whether she pushes further into hyperpop territory or doubles down on the heavy stuff, she's proven she can make either work. The question isn't whether people are paying attention anymore—it's where she decides to take it next.

Her sets are tense and hypnotic rather than celebratory. The crowd gets quiet and focused, drawn into the disorienting production. She performs with minimal movement but absolute presence, and the distorted sound design creates this almost uncomfortable intimacy despite the size of the room.

Known for It Gets Worse, Immaculate Conception, Betrayal Bonds, Frail Limbs Weak Heart, Scapegoat

See Scene Queen Live