Bring Me The Horizon

About Bring Me The Horizon

Bring Me The Horizon started in Sheffield in 2004 as the kind of deathcore band that made parents genuinely concerned. Oliver Sykes and his friends were teenagers making the most punishing music they could imagine, all breakdowns and guttural screams. Their debut album Count Your Blessings in 2006 was deliberately abrasive, the kind of thing that divided rooms into people who got it and people who left.

The shift started with Suicide Season in 2008. Still heavy, but you could hear them getting interested in actual melody and song structure. By the time they released There Is a Hell Believe Me I've Seen It. There Is a Heaven Let's Keep It a Secret in 2010, they'd added orchestral elements and electronics. The song "Blessed with a Curse" showed they could write something genuinely catchy without losing the intensity. Purists complained. The band kept moving.

Sempiternal in 2013 was the breakthrough that changed everything. They brought in Jordan Fish on keyboards and basically reinvented themselves as an arena metalcore band with pop sensibilities. "Shadow Moses" and "Can You Feel My Heart" became the songs that defined them for a new audience. The production was massive, the hooks were undeniable, and suddenly they were headlining festivals. Sykes had figured out how to scream and sing, often in the same song, and it worked.

That's the Spirit in 2015 pushed even further from their metalcore roots. "Drown" and "Throne" were essentially rock songs with metal DNA. Some longtime fans felt betrayed. The band sold more records than ever. They'd become the kind of band that could pull from Linkin Park's playbook while still occasionally dropping a breakdown heavy enough to satisfy the kids who'd been there since the deathcore days.

amo in 2019 went full genre chaos. Pop, electronic, industrial, whatever fit the song. "MANTRA" had dubstep elements. "medicine" was basically a ballad. They got Grimes on a track. It was messy and ambitious and proved they were more interested in experimenting than maintaining brand consistency.

Post Human: Survival Horror arrived in 2020, allegedly the first in a series of EPs. It pulled back slightly toward heavier territory, maybe a response to amo's mixed reception, maybe just where they were at that moment. Songs like "Parasite Eve" and "Teardrops" found a middle ground between accessibility and aggression.

These days they're festival headliners who've outlasted most of their metalcore peers by refusing to stay still. Sykes has become a better vocalist through sheer determination and probably some actual technique. They're working on more Post Human releases, still in that phase where they'll try anything once. Whether that makes them visionaries or chameleons depends on which era you discovered them in.

Their shows are chaotic in the best way. The pit is serious business when they hit the heavy tracks, but the crowd sings every word to the electronic stuff just as hard. Oli commands the stage like he's working out something personal, and the band feeds off that energy. They'll go from ambient soundscapes to absolute mayhem in minutes.

Known for Mantra, Wonderful Life, Can You Feel My Heart, Dethrone, Avalanche

See Bring Me The Horizon Live