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Bring Me The Horizon in Providence

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Bring Me The Horizon
DCU Center — Worcester, MA

Bring Me The Horizon started in Sheffield as a metalcore band with something to prove, all screams and breakdowns. By the time 'Sempiternal' dropped, they were already shifting toward synths and bigger hooks. Then 'That's The Spirit' happened and suddenly they were making actual pop songs. 'amo' went full electronic-pop, which felt like a betrayal to some purists but honestly made sense given where they'd been pointing. They've settled into this space where they can be heavy when they want, melodic when they want, and genuinely experimental without it feeling like a gimmick. Oli Sykes has become a more interesting frontman as the band got weirder rather than more accessible. They're probably the closest thing modern rock has to a band that actually evolved instead of just getting older.

Their shows are chaotic in the best way. The pit is serious business when they hit the heavy tracks, but the crowd sings every word to the electronic stuff just as hard. Oli commands the stage like he's working out something personal, and the band feeds off that energy. They'll go from ambient soundscapes to absolute mayhem in minutes.

Known for Mantra, Wonderful Life, Can You Feel My Heart, Dethrone, Avalanche

Bring Me The Horizon last touched down in Providence in March 2009, playing Lupo's Heartbreak Hotel when they were still figuring out who they wanted to be. The Sheffield band was in that fascinating transition period—postcore aggression giving way to something slicker, catchier, more radio-ready. They tore through the kind of set that made sense at that moment: raw energy, precise breakdowns, the kind of show that left you feeling like you'd witnessed something still being invented. Lupo's, small and sweaty, was the perfect vessel for it. The band wouldn't settle into superstardom for another few years, but the fundamentals were already there.

Providence's metal and hardcore scene has always punched above its weight. The city developed a solid pipeline for metalcore and progressive bands, anchored by venues like Lupo's that actually booked ambitious acts before they exploded nationally. When BMTH rolled through in 2009, the local scene was primed for something that bridged underground credibility with arena ambitions. Providence crowds tend to be discerning—they want bands that can riff and think, not just riff. That's always been the vibe here.

Stay in College Hill, where you can actually walk around without feeling like you're in a dead zone—the neighborhood has real restaurants and bars. Eat at Chez Pascal or Oberlin for something serious. Before the show, spend an afternoon at the RISD Museum, which is legitimately excellent and free if you're a student or cheap enough if you're not. The museum's collection is small enough to actually process in a couple hours, which beats most cities. Walk down Benefit Street afterward. It's the kind of place that reminds you why people actually used to settle in New England intentionally.

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