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Bring Me The Horizon in St. Louis

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Bring Me The Horizon
Enterprise Center — Saint Louis, MO

Bring Me The Horizon started in Sheffield as a metalcore band with something to prove, all screams and breakdowns. By the time 'Sempiternal' dropped, they were already shifting toward synths and bigger hooks. Then 'That's The Spirit' happened and suddenly they were making actual pop songs. 'amo' went full electronic-pop, which felt like a betrayal to some purists but honestly made sense given where they'd been pointing. They've settled into this space where they can be heavy when they want, melodic when they want, and genuinely experimental without it feeling like a gimmick. Oli Sykes has become a more interesting frontman as the band got weirder rather than more accessible. They're probably the closest thing modern rock has to a band that actually evolved instead of just getting older.

Their shows are chaotic in the best way. The pit is serious business when they hit the heavy tracks, but the crowd sings every word to the electronic stuff just as hard. Oli commands the stage like he's working out something personal, and the band feeds off that energy. They'll go from ambient soundscapes to absolute mayhem in minutes.

Known for Mantra, Wonderful Life, Can You Feel My Heart, Dethrone, Avalanche

Bring Me The Horizon touched down at The Pageant in May 2019, a mid-sized room that suited their trajectory at that particular moment. They were in the thick of their electronic-influenced era, and the setlist reflected that shift. They opened with the one-two punch of "Welcome to MANTRA" and "MANTRA" itself, establishing the mood before pivoting to older material. "Shadow Moses" and "Drown" pulled from their heavier days, while "medicine" and "wonderful life" showed off their sleeker, more produced side. The closing stretch—"Can You Feel My Heart" leading into "Throne"—suggested they'd figured out how to honor their past without being trapped by it. St. Louis got a band in transition, which is sometimes more interesting than one playing it safe.

St. Louis has a rich tradition of alternative and metal acts cutting through, from Scott Pilgrim–era emo to the current crop of heavier bands working the Pageant and other venues. Bring Me The Horizon fit neatly into that lineage, even as their sound had evolved far beyond their Sheffield metalcore roots. The city's audience tends to appreciate artists who aren't afraid to experiment, which probably made a band straddling heavy and electronic a natural fit.

Base yourself in the Central West End, where the tree-lined streets and converted lofts give the neighborhood a genuinely livable vibe. Hit Broadway Oyster Bar for something with actual character, or Park Avenue Coffee if you need to ease in. Spend an afternoon at the City Museum—it's genuinely weird and worth your time, not a tourist trap. The Pulitzer Arts Foundation is also worth an hour if contemporary art is your thing. St. Louis takes itself less seriously than most cities, which makes it easy to move around and find decent food without overthinking it.

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