Black Veil Brides

About Black Veil Brides

Black Veil Brides started in 2006 in Cincinnati when Andy Biersack decided to form a band that looked like it crawled out of a Sunset Strip time capsule and sounded like metalcore met glam rock in a dark alley. The name came from a murder of crows in wedding attire that Biersack allegedly saw, though the theatrical makeup and leather aesthetic suggests the band cared more about visual impact than ornithology.

The early lineup was basically a revolving door until they settled in Los Angeles and released their debut album "We Stitch These Wounds" in 2010. It was raw, ambitious, and unpolished in ways that either charmed you or didn't. Songs like "Knives and Pens" became anthems for a specific subset of mid-2000s Hot Topic regulars who wanted their angst delivered with both screaming and eyeliner.

Their second album "Set the World on Fire" in 2011 marked their actual breakthrough. Produced by Josh Abraham, it sanded down some of the rough edges while keeping the theatricality cranked to eleven. The title track got real traction, and suddenly they were playing bigger venues and landing on festival lineups. They'd figured out how to write hooks that stuck while maintaining their commitment to looking like they were perpetually en route to a vampire's funeral.

"Wretched and Divine: The Story of the Wild Ones" dropped in 2013 as a concept album about outcasts and rebellion, complete with spoken word interludes and film accompaniment. It was their most ambitious work, borrowing equally from My Chemical Romance's theatrical tendencies and classic metal's love of narrative excess. "In the End" showed they could write an actual radio-friendly rock song when they felt like it.

The self-titled 2014 album saw them pulling back slightly from the concept work and leaning harder into straight-ahead hard rock. Then "Vale" in 2018 supposedly marked the end of the Black Veil Brides character, though they kept making music, because of course they did. "The Night" and "When They Call My Name" demonstrated a band that had gotten genuinely good at their craft, even if the facepaint had mostly disappeared.

They rebranded briefly as Andy Black for solo work, then came back with "The Phantom Tomorrow" in 2021, another concept album because apparently they can't help themselves. The stripped-back re-recordings of old material as "Re-Stitch These Wounds" in 2020 showed how far their musicianship had come since the early days.

Currently, they're still touring, still making albums, and still attracting fans who want their rock music delivered with drama and darkness. The lineup has stabilized with Andy Biersack, Jinxx, Jake Pitts, Lonny Eagleton, and Christian Coma. They've essentially become elder statesmen of theatrical rock for a generation that discovered them on YouTube and never quite moved on.

Biersack commands the stage with genuine theatrical presence. The crowd is younger, devoted, and completely uninhibited about screaming every word. Expect wall-to-wall energy, crowd participation that never drops, and a show structured for maximum emotional payoff rather than just technical display.

Known for Knives and Pens, Fallen Angels, In the End, Perfect Weapon, Rebel Love Song

See Black Veil Brides Live