Stop Missing Shows

The Black Crowes

396 users on tonedeaf are tracking The Black Crowes

All upcoming The Black Crowes shows.

The Black Crowes
Moody Center ATX — Austin, TX
The Black Crowes
Bridgestone Arena — Nashville, TN
The Black Crowes
Ameris Bank Amphitheatre — Alpharetta, GA
The Black Crowes
Coca-Cola Amphitheater — Birmingham, AL
The Black Crowes
Hard Rock Live — Hollywood, FL
The Black Crowes
MIDFLORIDA Credit Union Amphitheatre at the FL State Fairgrounds — Tampa, FL
The Black Crowes
The St. Augustine Amphitheatre — St Augustine, FL
The Black Crowes
Truliant Amphitheater — Charlotte, NC
The Black Crowes
Coastal Credit Union Music Park at Walnut Creek — Raleigh, NC
The Black Crowes
Riverbend Music Center — Cincinnati, OH
The Black Crowes
Blossom Music Center — Cuyahoga Falls, OH
The Black Crowes
Freedom Mortgage Pavilion — Camden, NJ
The Black Crowes
Merriweather Post Pavilion — Columbia, MD
The Black Crowes
Hartford HealthCare Amphitheater — Bridgeport, CT
The Black Crowes
Xfinity Center — Mansfield, MA
The Black Crowes
Ruoff Music Center — Noblesville, IN
The Black Crowes
Pine Knob Music Theatre — Clarkston, MI
The Black Crowes
Hollywood Casino Amphitheater — Maryland Heights, MO
The Black Crowes
Mystic Lake Amphitheater — Shakopee, MN
The Black Crowes
Morton Amphitheater — Kansas City, MO

The Black Crowes came together in Atlanta in 1984 when brothers Chris and Rich Robinson decided their band Mr. Crowe's Garden needed a reset. They dropped the psychedelic pretensions, embraced their record collections full of Faces and Stones albums, and by 1989 had a deal with Def American. The timing was weird in the best way. Hair metal was everywhere, grunge hadn't broken yet, and here came these guys playing sweaty, lived-in rock that sounded like it was recorded in 1971.

Their debut Shake Your Money Maker arrived in 1990 and moved something like five million copies, largely on the back of their Otis Redding cover "Hard to Handle." That song was unavoidable for about two years. But the album had more going on than the single suggested. "She Talks to Angels" showed Chris Robinson could actually write, not just channel Ron Wood riffs, and "Jealous Again" had the kind of strut that made it clear these weren't revivalists playing dress-up. They understood the assignment: take classic rock frameworks and play them like you meant it.

The Southern Harmony and Musical Companion came in 1992 and hit number one, which feels impossible now but made sense then. "Remedy" became their signature song, the one that showed up on every rock radio playlist for the next decade. "Thorn in My Side" and "Sting Me" proved the first album wasn't luck. They were writing real songs, Rich was developing into a genuinely interesting guitar player, and the rhythm section had that locked-in groove that can't be faked.

Amorica in 1994 pushed things weirder and slower, with more psychedelia creeping back in. It didn't sell like the previous two, but tracks like "A Conspiracy" and "Wiser Time" suggested they were interested in more than recycling the past. Then came the standard rock band cycle: more albums of varying quality, lineup changes, increasing tension between the Robinson brothers, and a breakup in 2002 that surprised exactly no one.

They've reunited twice since then. The first run lasted from 2005 to 2015, produced some decent live recordings, and ended with Chris and Rich not speaking again. The second reunion kicked off in 2019, just the brothers with hired guns, playing Shake Your Money Maker front to back for the anniversary circuit. They're still at it, which means they're either past the drama or just better at compartmentalizing.

The legacy is solid if not revolutionary. They kept a certain strain of rock alive through the nineties when it could have vanished entirely, influenced bands like Rival Sons who picked up similar threads, and wrote a handful of songs that still sound right when they come on. That's more than most bands manage.

Their shows are sweaty, loose affairs where the brothers bicker and build momentum through extended jams. The crowd feeds on that chemistry—nobody's checking their phone. It's church music played in a honky tonk.

Known for Hard to Handle, Jealous Again, Remedy, She Talks to Angels, Thorn in My Side

Stop missing shows.

tonedeaf. reads your music library and emails you when artists you actually listen to have shows near you. No app. No ads. No noise.

Sign Up Free