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The Black Crowes in Houston

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The Black Crowes
The Cynthia Woods Mitchell Pavilion sponsored by Huntsman — The Woodlands, TX

The Black Crowes emerged from Atlanta in 1989 with a sound that felt like they'd unearthed it from a basement tape vault circa 1972. Their debut album, "Shake Your Money Maker," nailed that Zeppelin-meets-Stones groove immediately, anchored by the irresistible blues swagger of "Hard to Handle" and the softer vulnerability of "She Talks to Angels." Brothers Chris and Rich Robinson traded vocals and guitars through the '90s, building a catalog that proved southern rock didn't need to apologize for its influences—just nail the execution, which they did repeatedly. "Remedy" became their other staple, a hypnotic track that showed they understood dynamics as well as riffs. The band fractured, reunited, and fractured again, but their best albums hold up as genuine artifacts of a moment when classic rock DNA could still produce something that felt fresh.

Their shows are sweaty, loose affairs where the brothers bicker and build momentum through extended jams. The crowd feeds on that chemistry—nobody's checking their phone. It's church music played in a honky tonk.

Known for Hard to Handle, Jealous Again, Remedy, She Talks to Angels, Thorn in My Side

The Black Crowes have been reliable visitors to Houston over the years, and their April 2024 stop at 713 Music Hall proved why they've stayed relevant for three decades. They opened with AC/DC's "It's a Long Way to the Top," a power move that set the tone for a setlist heavy on deep cuts and fan favorites. "Dirty Cold Sun" and "Thorn in My Pride" showed their softer side, while "Sting Me" and "Shake Your Moneymaker" reminded the room why their bluesy Southern rock still matters. They closed with "Remedy," a fitting choice for a band that's mastered the art of the perfect sendoff.

Houston's music DNA runs deep—from blues pioneers to hip-hop royalty—and The Black Crowes fit naturally into that lineage. The city's appetite for guitar-driven rock with soul has always been there, even when it wasn't mainstream. 713 Music Hall has become a key venue for legacy acts who want an intimate room with real acoustics, not a shed. The Black Crowes' brand of blues-rock revival resonates here because Houston respects the roots.

Stay in Montrose, where tree-lined streets and mid-century charm give you walkable access to restaurants and bars without feeling touristy. Book a table at Le Colonial for Vietnamese-French fusion that's genuinely excellent. Spend an afternoon at the Museum of Fine Arts — underrated collection, manageable crowds. Grab coffee at Tout Suite before the show. If you've got time, the Buffalo Bayou trails offer a surprisingly green escape through the city. Skip the obvious stuff and just move through the neighborhoods like you live there.

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