Two Feet

About Two Feet

Two Feet is the project of Bill Dess, a New York musician who carved out a surprisingly specific niche in the mid-2010s: blues-soaked electronic music that sounds like it was made for driving at night with too much on your mind. He started releasing tracks in 2016 while still a student at the Harlem School of the Arts, and his breakout single "Go Fuck Yourself" became one of those organic internet successes that labels spend millions trying to replicate. The track racked up tens of millions of streams without traditional promotion, mostly because it hit that sweet spot of moody guitar loops, minimal beats, and a general vibe of not caring what you think.

What makes Two Feet work is the blues guitar foundation under everything. Dess plays all the instruments himself, building tracks around fingerpicked blues riffs that get chopped, looped, and buried under bass-heavy production. "I Feel Like I'm Drowning" came next and basically cemented the formula: slide guitar, sparse drums, lyrics about feeling terrible, and production crisp enough for playlist algorithms to love. It ended up on his 2017 debut EP "Momentum" and later got folded into his first full album "A 20 Something Fuck" in 2018.

The catalog expanded with tracks like "Love Is a Bitch" and "Quick Musical Doodles," the latter being a series of EPs where Dess literally just uploaded musical ideas without overthinking them. Some artists would call these B-sides, but for Two Feet they became fan favorites. "I Hate Living Without Your Love" showed up in 2019 and did the thing again: blues guitar, heavy bass, emotional detachment as an aesthetic choice.

His 2020 album "Pink" marked a slight evolution, pulling back on some of the darker tones without abandoning the core sound. Tracks like "You're So Cold" and "Ella" felt a bit more vulnerable, which is saying something for a project already built on emotional discomfort. He followed it with "Max Maco Is Dead Right?" in 2021, which leaned further into hip-hop production techniques while keeping those guitar loops front and center.

The thing about Two Feet is that Dess never really shifted gears or chased trends. Each release sounds recognizably like the last one, which either means he found his lane early or hasn't felt the need to mess with what works. He tours consistently, often as a full band despite the solo studio setup, and his streaming numbers stay steady without massive radio play or playlist cover spots.

As of now, he's still releasing music under the same blueprint, still based in New York, still making tracks that sound like the soundtrack to staring out a rain-streaked window. It's a specific mood, but apparently a sustainable one.

Two Feet's sets are understated and deliberate. He moves through songs with minimal banter, letting the sparse production hit harder in a room. Crowds tend toward attentive rather than rowdy—people actually listen. The energy is more hypnotic than explosive, which means dead air feels intentional rather than awkward.

Known for Go, Rocket, She Keeps Me Up, Hurt People, Latch

See Two Feet Live