Skizzy Mars
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About Skizzy Mars
Skizzy Mars built a career on the internet before anyone really figured out how to do that properly. The New York rapper started uploading tracks to YouTube in the early 2010s, when SoundCloud was still the wild west and you could actually get discovered without a marketing budget. His real name is Myles Mills, and he grew up in Manhattan, which shows up in his music more as casual context than any kind of badge of honor.
He broke through with "Pace" in 2014, a track that caught on because it felt like he was just talking over a beat instead of trying to prove something. That was kind of his whole thing. While other rappers were going hard on aggression or flex culture, Skizzy made music about hangovers, bad relationships, and being kind of aimless in your twenties. It wasn't revolutionary, but it was specific enough to feel honest.
His early mixtape "Phases" came out in 2015 and landed him on tours with G-Eazy and Hoodie Allen, which tells you exactly what lane he was in. Alternative hip-hop for people who maybe didn't grow up on hip-hop but found their way there through indie rock or pop punk. "Pay For You" featuring Olivver the Kid became one of those songs that quietly racked up millions of streams without ever really breaking into mainstream conversation.
"The Red Balloon Project" dropped in 2016 and showed some growth. The production got cleaner, the features got more strategic, and tracks like "Do You There" and "Time" suggested he was figuring out how to write songs that stuck around longer than a scroll through your feed. He wasn't reinventing anything, but he was getting better at what he did.
"Are You OK?" arrived in 2017 and might be his most cohesive project. By then he'd settled into this melancholic pop-rap space, the kind of music that works for late drives or comedowns. "Gotta Be" and "Pay For You" showed up here in different forms, and the whole thing felt like he'd finally stopped chasing trends and just made the album he wanted to make.
Since then, things have been quieter. He's put out singles and EPs, stayed active on social media, kept touring smaller venues. "Free Skizzy Mars" came out in 2019, more of a statement of independence than a commercial play. He's one of those artists who built a dedicated following that doesn't need him to be famous. The fans who connected with those early tracks still show up, still stream, still care.
These days he's less visible than he was during that mid-2010s run, but he's still making music and the work hasn't changed much. He found his sound early and stuck with it. Not everyone needs to become a household name.
Skizzy's shows draw a smaller, genuinely invested crowd. He performs with conviction rather than spectacle, letting the songs breathe. People aren't there to lose their minds—they're there to hear the words and feel the production. It's intimate without being uncomfortable.
Known for Red Cup, Alone, Notebook, High School, Pieces
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