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Toyota Amphitheatre — Wheatland, CA
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Toyota Pavilion at Concord — Concord, CA
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North Island Credit Union Amphitheatre — Chula Vista, CA
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Germania Insurance Amphitheater — Austin, TX
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The Cynthia Woods Mitchell Pavilion sponsored by Huntsman — The Woodlands, TX
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Dos Equis Pavilion — Dallas, TX
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Lakewood Amphitheatre — Atlanta, GA
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Truliant Amphitheater — Charlotte, NC
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Coastal Credit Union Music Park at Walnut Creek — Raleigh, NC
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Jiffy Lube Live — Bristow, VA
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The Meadows Music Theatre — Hartford, CT
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The Pavilion at Star Lake — Burgettstown, PA
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Darien Lake Amphitheater — Darien Center, NY
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Pine Knob Music Theatre — Clarkston, MI
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Hollywood Casino Amphitheater — Maryland Heights, MO
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Ruoff Music Center — Noblesville, IN
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Mystic Lake Amphitheater — Shakopee, MN
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Morton Amphitheater — Kansas City, MO
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Utah First Credit Union Amphitheatre — West Valley City, UT
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White River Amphitheatre — Auburn, WA

Machine Gun Kelly, born Colson Baker in Houston in 1990, spent his childhood bouncing between cities before landing in Cleveland. He started as a battle rapper in his teens, building a reputation for his rapid-fire delivery that eventually gave him his stage name. The early mixtapes caught attention in the Midwest underground, leading to a deal with Bad Boy Records in 2011. His debut album Lace Up dropped in 2012 with Wild Boy, establishing him as a lanky white rapper who could actually hold his own.

The next few years were standard rap career stuff. General Admission in 2015 and bloom in 2017 had their moments, but nothing felt particularly urgent. He was that guy who showed up on festival undercard posters, dated celebrities, and had public beef with Eminem that mostly just made Eminem fans angry. The Cleveland loyalty remained strong, but mainstream success felt like it was plateauing somewhere around moderately successful rapper territory.

Then 2020 happened. Tickets to My Downfall showed up with Travis Barker behind the boards and completely rewired his career. Bloody Valentine wasn't subtle about its pop punk worship, literally sounding like it could have been a B-side from a 2003 Drive-Thru Records compilation. But the timing was somehow perfect. People were nostalgic, TikTok amplified it, and suddenly MGK was the face of pop punk's revival whether the genre's purists liked it or not.

my ex's best friend and forget me too with Halsey leaned further into the melodramatic relationship drama that pop punk has always thrived on. The production was polished, the hooks were massive, and it connected with an audience that was either too young to remember the genre's first run or old enough to want it back. mainstream sellout in 2022 doubled down on the formula with more Travis Barker production. The name itself felt like a preemptive middle finger to critics who were already calling him one.

He's never been concerned with critical approval. The face tattoos multiplied, the relationship with Megan Fox provided tabloid fuel, and he kept making music that split opinions cleanly down the middle. His fans are genuinely devoted. His detractors think he's cosplaying genres without earning his place in them.

The reality is probably somewhere in between. He found a lane that works commercially when his rap career was stalling, and he committed to it fully. Whether that's authentic reinvention or calculated pivoting depends on how cynical you want to be. Either way, he's selling out arenas and getting streams, which matters more than genre credibility arguments on Twitter. He's still in Cleveland when he's not touring, still making music with Barker, still doing exactly what he wants regardless of what anyone thinks about it.

High-energy sets with minimal downtime. Crowds sing every word. Lots of crowd interaction and requests. He plays both the hip-hop and rock material, switching tone mid-set. Genuinely sweaty, intense shows that feel like he cares about being there.

Known for Bloody Valentine, my ex's best friend, forget me too, Bad Habit, Hotel California

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