Stop Missing Shows

Lauren Spencer Smith

414 users on tonedeaf are tracking Lauren Spencer Smith

All upcoming Lauren Spencer Smith shows.

Lauren Spencer Smith
The Van Buren — Phoenix, AZ
Lauren Spencer Smith
House of Blues Anaheim — Anaheim, CA
Lauren Spencer Smith
The Wiltern — Los Angeles, CA
Lauren Spencer Smith
The Fillmore — San Francisco, CA
Lauren Spencer Smith
The Masonic — San Francisco, CA
Lauren Spencer Smith
Ace of Spades — Sacramento, CA
Lauren Spencer Smith
Roseland Theater — Portland, OR
Lauren Spencer Smith
Moore Theatre — Seattle, WA

Lauren Spencer Smith showed up on America's Got Talent in 2020 at seventeen, made it to the semi-finals, and then did what most reality show contestants don't manage to do: she actually built a career afterward.

The Canadian singer-songwriter from Vancouver Island started posting covers on social media as a teenager, which is how she ended up auditioning for AGT in the first place. But the real turn came in 2021 when she started releasing original music that connected in a way her covers never quite did. "Fingers Crossed" dropped in January 2022 and became the kind of streaming hit that changes things. The song about a toxic relationship hit a nerve, racked up hundreds of millions of streams, and suddenly she had major label attention. Republic Records signed her shortly after.

What makes her music work is pretty straightforward. She writes pop songs about relationship drama and emotional wreckage with enough specificity that they don't feel like they came from a songwriting camp. Her voice is big and controlled, the kind that can handle both restraint and full belting without getting showy about it. She grew up on country music and musical theatre, and you can hear both in how she approaches melody and storytelling.

Her debut EP "Unplugged Vol. 1" came out in 2022, followed by "Unplugged Vol. 2" later that year. The stripped-back approach worked in her favor, keeping the focus on her voice and the songwriting rather than production tricks. Songs like "Back to Friends" and "Flowers" continued the theme of messy relationships and aftermath, which is basically her entire brand at this point. She's not trying to reinvent anything. She's just doing the sad pop ballad thing with enough sincerity that it doesn't feel cynical.

By 2023, she was releasing more polished pop productions. "Narcissist" leaned into bigger arrangements and showcased her ability to work within mainstream pop structures without losing what made people pay attention in the first place. She spent most of that year touring, opening for acts and doing her own headlining shows, figuring out how to be an artist beyond just releasing singles into the streaming void.

Now she's in that middle phase where she's not new anymore but hasn't quite cemented what her next chapter looks like. She's got the streaming numbers, the fanbase, and the major label support. Whether she ends up as another artist who had a moment or someone who builds a longer career probably depends on if she can expand beyond the heartbreak-ballad lane without losing the authenticity that got her here. She's young enough that there's time to figure it out, and she's already proven she can write songs that people actually want to hear, which is more than most can say.

Intimate shows where people actually listen. Quiet crowd, phones mostly down. She plays alone or with minimal backing, and the room gets genuinely still during verses. The kind of set where someone crying in the audience doesn't feel unusual.

Known for Flowers, Ashamed, Fingers Crossed, Gutter, Finally Fade Away

Stop missing shows.

tonedeaf. reads your music library and emails you when artists you actually listen to have shows near you. No app. No ads. No noise.

Sign Up Free