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Lamb of God

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All upcoming Lamb of God shows.

Lamb of God
The Theater at MGM National Harbor — National Harbor, MD
Lamb of God
Fox Theatre Detroit — Detroit, MI
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Armory — Minneapolis, MN
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Aragon Ballroom — Chicago, IL
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Fillmore Auditorium (Denver) — Denver, CO
Lamb of God
The Union — Salt Lake City, UT
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Moda Center — Portland, OR
Lamb of God
WAMU Theater — Seattle, WA
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The Masonic — San Francisco, CA
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YouTube Theater — Inglewood, CA
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Arizona Financial Theatre — Phoenix, AZ
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Moody Amphitheater — Austin, TX
Lamb of God
The Pavilion at Toyota Music Factory — Irving, TX
Lamb of God
713 Music Hall — Houston, TX
Lamb of God
Nashville Municipal Auditorium — Nashville, TN
Lamb of God
Coca-Cola Roxy — Atlanta, GA
Lamb of God
Red Hat Amphitheater — Raleigh, NC
Lamb of God
The Santander Arena — Reading, PA
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The Dome by Rutter Mills — Virginia Beach, VA
Lamb of God
Buffalo RiverWorks — Buffalo, NY

Lamb of God came out of Richmond, Virginia in the mid-90s as Burn the Priest, which tells you pretty much everything you need to know about their early trajectory. They dropped their first album under that name in 1999, then decided the joke had run its course and rebranded as Lamb of God in 2000. The lineup that would define them was already in place: Randy Blythe's throat-shredding vocals, Mark Morton and Willie Adler on guitars, John Campbell on bass, and Chris Adler behind the kit.

New American Gospel in 2000 announced their arrival to anyone paying attention to American metal, but it was 2004's Ashes of the Wake that kicked the door down. The title track's audio samples from the Iraq War weren't subtle, and neither was the rest of the album. Laid to Rest became the song that festival crowds would lose their minds to for the next two decades. They'd figured out how to make groove metal that was both punishingly heavy and tight enough to actually move, which turned out to be a formula a lot of people were waiting for.

Sacrament in 2006 pushed them further into the mainstream without sanding off the edges. Redneck, despite its title, showed they could write songs that translated beyond the metal underground. They ended up on magazine covers and headlining bigger rooms. Wrath followed in 2009 and hit number two on the Billboard 200, which is when it became clear they weren't a niche band anymore.

Things got complicated in 2012 when Blythe was arrested in the Czech Republic over a fan's death at a show two years earlier. He spent a month in jail before making bail, then got acquitted in 2013. The band channeled all of that into VII: Sturm und Drang in 2015, which was exactly as heavy as you'd expect given the circumstances.

They've kept a steady pace since then. Chris Adler left in 2019, replaced by Art Cruz, which could've been a bigger deal than it was but Cruz fit in without much drama. Their self-titled 2020 album came out right as the pandemic shut everything down, so Contractor and the rest of those songs got a weird half-life of streaming plays instead of mosh pits. Omens dropped in 2022, followed by Palaces of Emptiness in 2025, proving they're still writing the same kind of crushing, groove-heavy metal that got them here.

They're veterans now, which in metal means they've survived long enough to headline festivals and mentor younger bands while still playing like they have something to prove. The sound hasn't changed much because it didn't need to.

Lamb of God shows are mosh pits with zero irony. The pit opens within seconds and doesn't close. Morton commands the stage with the authority of someone who's done this a thousand times. People leave drenched and bruised and satisfied they got their money's worth.

Known for Redneck, Palaces, Contractor, In Your Words, Laid to Rest

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