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Knuckle Puck

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Knuckle Puck
Emo's Austin — Austin, TX
Knuckle Puck
The Observatory North Park — San Diego, CA
Knuckle Puck
House of Blues Anaheim — Anaheim, CA
Knuckle Puck
The Belasco — Los Angeles, CA
Knuckle Puck
Varsity Theater — Minneapolis, MN
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Saint Andrew's Hall — Detroit, MI
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House of Blues Cleveland — Cleveland, OH
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Citizens House of Blues Boston — Boston, MA
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Theatre of Living Arts — Philadelphia, PA
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Historic Crew Stadium — Columbus, OH
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Hard Rock Live Orlando — Orlando, FL
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Avondale Brewing Co. — Birmingham, AL
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Old National Centre — Indianapolis, IN
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The Fillmore Philadelphia — Philadelphia, PA
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The Fillmore Philadelphia — Philadelphia, PA
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Buffalo RiverWorks — Buffalo, NY
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Landmark Credit Union Live — Milwaukee, WI
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The Pageant — Saint Louis, MO
Knuckle Puck
The Van Buren — Phoenix, AZ
Knuckle Puck
House of Blues Anaheim — Anaheim, CA

Knuckle Puck formed in the suburbs of Chicago in 2010, which makes sense when you listen to them. They've got that specific strain of Midwest emo-tinged pop punk that sounds like driving around strip malls feeling too much. The original lineup came together in the southern suburbs, and they started the way most bands do—playing basements and posting songs online.

They put out a couple EPs early on, but 2014's "While I Stay Secluded" is when people really started paying attention. The production was still pretty raw, but songs like "Untitled" and "Disdain" had that thing where the hooks would get stuck in your head for days. They signed to Rise Records shortly after, which was basically the move for any pop punk band trying to level up in the mid-2010s.

Their first full-length, "Copacetic," dropped in 2015 and did exactly what a debut album should do. "Wall to Wall (Depreciation)" and "Swing" became setlist staples, and the album captured something specific about being in your early twenties and feeling like everything matters way too much. The production was cleaner than the EPs but still had enough grit to feel genuine. They toured relentlessly behind it, playing the Warped Tour circuit and opening for bigger bands in the scene.

"Shapeshifter" came out in 2017 and showed they weren't interested in just making "Copacetic" again. The songs got a bit more expansive, a little less predictable. "Gone" and "Double Helix" had these build-ups that felt earned rather than formulaic. Some fans missed the rawer sound, but the band was clearly trying to avoid getting stuck in one gear.

By 2019's "20/20," they'd fully committed to pushing their sound somewhere different. The album opens with "Tune You Out," which immediately signals this isn't going to be straightforward pop punk. There are more textures, more space in the arrangements. "RSVP" and "Breathe" still hit hard, but they're doing it with more nuance. It's the kind of progression that loses some fans and gains others, which usually means a band is doing something right.

They've kept a pretty consistent presence without oversaturating. Tours with The Wonder Years, Real Friends, and Bearings kept them connected to their scene, but they've managed to exist slightly outside the hype cycle. Their most recent work continues the trend of refinement without losing the core of what made them compelling in the first place.

These days, Knuckle Puck occupies a solid mid-tier space in the pop punk world. They're not headlining arenas, but they've built something sustainable. They know what they do well and they keep doing it, just with better production and tighter songwriting. For a band that started in Chicago suburbs over a decade ago, that's not nothing.

Their shows draw sing-alongs from people who've memorized the lyrics, but it never feels like a victory lap. The band stays locked in throughout, playing with the kind of focused energy that respects the crowd without overselling anything. Solid rooms, genuine connection.

Known for Stuck in Our Ways, Don't Come Home, Swimming, Lose You, True North

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