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Joe Jackson

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All upcoming Joe Jackson shows.

Joe Jackson
Masonic Temple - Detroit — Detroit, MI
Joe Jackson
Pantages Theatre — Minneapolis, MN
Joe Jackson
Moore Theatre — Seattle, WA
Joe Jackson
Curran Theatre — San Francisco, CA
Joe Jackson
Balboa Theatre — San Diego, CA
Joe Jackson
Orpheum Theatre — Los Angeles, CA
Joe Jackson
Chautauqua Auditorium — Boulder, CO
Joe Jackson
Uptown Theater — Kansas City, MO
Joe Jackson
The Pageant — Saint Louis, MO
Joe Jackson
Paramount Theatre-Austin — Austin, TX
Joe Jackson
Majestic Theatre Dallas — Dallas, TX
Joe Jackson
Charline McCombs Empire Theatre — San Antonio, TX
Joe Jackson
The Joy Theater — New Orleans, LA
Joe Jackson
Ryman Auditorium — Nashville, TN
Joe Jackson
Center Stage Theater — Atlanta, GA
Joe Jackson
Lincoln Theatre — Washington, DC

Joe Jackson showed up in 1979 with "Is She Really Going Out With Him?" and immediately stood out from the new wave crowd. While everyone else was stripping rock down to three chords, this British musician arrived with actual piano chops from the Royal Academy of Music and a sharp eye for the petty humiliations of modern life. The song hit, people bought the debut album "Look Sharp," and suddenly there was this guy who could write punchy rock songs that referenced both pub rock and Cole Porter.

His first three albums came fast and showed serious range. "Look Sharp" had the nervous energy and the suits, making lazy people assume he was just riding the Costello wave. Then "I'm the Man" doubled down on the spiky cynicism. But "Beat Crazy" in 1980 threw a curveball with its reggae and ska inflections, suggesting Jackson was already bored with being the angry young man in skinny ties.

Then he really went sideways. "Jumpin' Jive" was a straight-up swing album with the actual members of the Cab Calloway Orchestra. In 1981. Most of his punk-adjacent audience probably didn't follow him there, but it showed his hand. This wasn't posturing. The guy genuinely loved pre-rock American music and had the skills to play it.

"Night and Day" in 1982 made all that eclectic restlessness pay off commercially. Inspired by New York City where he'd recently moved, the album blended pop, jazz, Latin rhythms, and that new wave edge into something that sounded completely his own. "Steppin' Out" became his biggest hit, and the whole album went platinum. It's probably still his defining work, the moment where all his influences locked into place.

After that, he just kept following whatever interested him. "Body and Soul" went deeper into jazz and sophistication. "Big World" was a live-in-studio triple album recorded in front of an audience without overdubs, because apparently he felt like making things difficult. The '90s brought "Laughter & Lust" and film scoring work. He did a classical album. He did a proper symphony. He recorded at Abbey Road with full orchestration.

The pattern held for decades. Some albums sold, some didn't, but Jackson never seemed particularly concerned with chasing hits after the '80s. "Rain" in 2008 dealt with climate change. "Fast Forward" in 2015 featured four different bands playing the same songs in different styles, which is the kind of project only Joe Jackson would think made sense.

He's still around, still recording, still touring when he feels like it. The catalog is all over the map, which seems to be exactly how he wanted it. Some artists chase a signature sound their whole career. Jackson spent his making sure he'd never be pinned down to just one thing.

Jackson's shows are tightly wound and precise, like watching someone think in real time. Crowd is attentive, not rowdy. He commands the stage through musicianship and personality rather than spectacle. Expect tempo shifts and unexpected arrangements of familiar songs.

Known for Stepping Out, Is She Really Going Out with Him?, Jumpin' Jive, Breaking Us in Two, Real Men

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