Jeremih

About Jeremih

Jeremih Felton showed up in 2009 with "Birthday Sex" and immediately became that guy who made a song your mom probably heard at the grocery store. The Chicago singer was 22, fresh out of Columbia College with a music business degree, and somehow turned a bedroom jam into a top five Billboard hit. The track was smooth, minimal, and explicitly titled enough to make radio programmers nervous but not enough to ban it outright.

His self-titled debut dropped that same year and went gold, which doesn't happen much anymore for R&B singers without major cosigns. But Jeremih had a knack for writing hooks that burrowed into your skull whether you wanted them there or not. He produced most of his own material too, working in that late-2000s zone where R&B was getting spacier and less cluttered, influenced by The-Dream and Tricky Stewart but with his own laid-back Chicago inflection.

The follow-up came in 2010 with "All About You," the album that gave us "Down On Me" featuring 50 Cent. That song was everywhere, the kind of club track that outlived its chart run by years. But it was "Late Nights: The Album" in 2015 that showed what he could really do. That project, executive produced by DJ Mustard, had "Planez" with J. Cole, "Oui," and "Pass Dat," tracks that felt more cohesive and intentional than anything he'd released before. The production was darker, more stripped down, and Jeremih's voice sat right in the pocket between singing and something more rhythmic.

He's become better known as a collaborator over the years. "Don't Tell 'Em" with YG in 2014 might be his signature song, built around a Snap classic sample that somehow worked perfectly. He showed up on Chance the Rapper's "Coloring Book," on PartyNextDoor tracks, on Juicy J songs, always bringing that same understated presence that doesn't demand attention but gets it anyway.

The "MihTy" joint project with Ty Dolla Sign in 2018 made sense on paper and mostly delivered. Two singers who understand restraint, working with each other instead of competing. Then Jeremih got seriously ill with COVID in 2020, spending time in the ICU, which put everything on pause. He recovered but hasn't released a full album since.

These days he's in that middle zone where he can still pull numbers but isn't dominating conversation like he did a decade ago. He tours, he features, he drops singles that land with his core audience. For someone who never leaned into spectacle or reinvention, Jeremih has had surprising staying power. He found a lane early and mostly stuck to it, which in R&B sometimes works better than constantly chasing trends.

Jeremih's shows are intimate despite venue size. Crowds are there specifically for him, singing along to every hook. He's smooth onstage, not flashy, but that confidence carries. People are genuinely there to hear the vocals—not much posturing.

Known for Down on Me, Birthday Sex, Oui, Don't Tell 'Em, Late Night Thoughts

See Jeremih Live