Stop Missing Shows

Attila

582 users on tonedeaf are tracking Attila

All upcoming Attila shows.

Attila
The Pinnacle - TN — Nashville, TN
Attila
The Pageant — Saint Louis, MO
Attila
Fillmore Auditorium (Denver) — Denver, CO
Attila
The Complex - UT — Salt Lake City, UT
Attila
Paramount Theatre — Seattle, WA
Attila
Channel 24 — Sacramento, CA
Attila
Hollywood Palladium — Hollywood, CA
Attila
Brooklyn Bowl Las Vegas — Las Vegas, NV
Attila
Coca-Cola Roxy — Atlanta, GA
Attila
Franklin Music Hall — Philadelphia, PA
Attila
The Fillmore Silver Spring — Silver Spring, MD
Attila
Roxian Theatre Presented By Citizens — McKees Rocks, PA
Attila
Aragon Ballroom — Chicago, IL
Attila
Historic Crew Stadium — Columbus, OH

Attila came out of Atlanta in 2005, though they're the kind of band that feels less tied to any particular scene and more to the specific subset of metalcore fans who wanted their breakdowns heavier and their lyrics more deliberately provocative. Fronted by Chris Fronzak, who goes by Fronz, the band quickly established themselves as the group your parents definitely wouldn't approve of, leaning hard into party anthems, explicit content, and a middle-finger-up approach to respectability politics within the metalcore world.

Their early work was pretty standard deathcore fare, but 2008's "Soundtrack to a Party" marked the shift toward what would become their signature sound. They started mixing in more hip-hop influences, electronic elements, and the kind of party-metal aesthetic that was either brilliantly self-aware or completely sincere depending on who you asked. The debate over whether Attila is in on the joke or is the joke has followed them throughout their entire career.

The breakthrough, if you can call it that, came with 2011's "Outlook" and especially 2013's "About That Life." The latter album became something of a cult phenomenon, spawning tracks like "About That Life" and "Callout" that became staples of their live shows. They weren't getting mainstream attention, but they built a dedicated following of fans who appreciated the band's commitment to being as over-the-top as possible. Fronz became a polarizing figure in the scene, frequently stirring up controversy on social media and seeming to enjoy every second of it.

They've been remarkably prolific, dropping albums regularly throughout the 2010s. "Guilty Pleasure" in 2014, "Chaos" in 2016, "Villain" in 2017. The quality varied, but the approach stayed consistent: heavy riffs, trap-influenced beats, lyrics about partying and antagonizing critics, and production that got cleaner as they went along. Whether any of it was particularly good became almost beside the point. Attila existed in their own universe with their own rules.

More recent releases like 2019's "Villain" and their continued output through the early 2020s haven't really changed the formula. They know what their fans want and they deliver it without apology. The band has gone through lineup changes over the years, but Fronz has remained the constant, the guy who seems genuinely energized by negative attention and has built a career on being metalcore's most shameless provocateur.

They're still touring, still releasing music, still generating the same mix of devoted fandom and eye-rolling dismissal they've always gotten. Attila never became huge, but they carved out their niche and have occupied it longer than most people expected. Whether that's admirable or exhausting probably depends on your tolerance for confrontational party metal and Fronz's particular brand of chaos.

Known for About That Life, Rage, Prove Me Right, Chaos, Middle Finger

Stop missing shows.

tonedeaf. reads your music library and emails you when artists you actually listen to have shows near you. No app. No ads. No noise.

Sign Up Free