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Train in Washington DC

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Train
Merriweather Post Pavilion — Columbia, MD

Train emerged from San Francisco in the late 90s with a sound that split the difference between 90s alternative rock and radio-friendly pop sensibility. They hit their commercial peak in the mid-2000s when 'Drops of Jupiter' became inescapable, a sprawling track that somehow worked despite its kitchen-sink approach to arrangements. 'Hey Soul Sister' cemented their status as a mainstream act, though it also solidified some people's conviction that they were aggressively corny. Their earlier work, particularly around 'Meet Virginia' and 'Calling All Angels,' showed more textural ambition and less predictability. Lead singer Pat Monahan has a conversational delivery that can feel either disarming or grating depending on your tolerance for earnestness. They've largely leaned into their catalog strength and touring reliability rather than chasing relevance, which is probably the right call.

Train shows are wedding reception energy. People sing along to every word of the big hits, the crowd gets genuinely into it, and there's a lot of swaying and phone recording. Monahan talks between songs in a way that either lands as charming or self-indulgent. Shows run long and feel competent.

Known for Drops of Jupiter, Hey Soul Sister, Calling All Angels, Meet Virginia, Marry Me

Train rolled through The Birchmere on January 3rd with the kind of setlist that rewards the faithful. They leaned into deeper material—"List of Sorrows" and "Soul Parking" alongside covers like "Autumn Leaves" and "My Baby Just Cares for Me"—building toward closer "Here Comes My Baby." It's the kind of show that suggests Train's DC fans get something more considered than a hits-only run, mixing standards and obscurities across 22 songs that felt genuinely considered rather than obligatory.

Washington's music scene has always been more indie rock and go-go than arena pop-rock, but that doesn't mean the city rejects it. Train's brand of accessible, hook-driven rock appeals to the broader DC audience that exists beyond the usual indie clubs. The city's got room for everything if the band brings the energy.

Stay in Georgetown or Capitol Hill, both walkable neighborhoods with excellent restaurants and bars. Book a table at Kinfolk in Capitol Hill for refined New American cooking, or head to Pineapple and Pearls for something more elaborate if you want to splurge. During the day, the Hirshhorn Museum and Sculpture Garden offers world-class contemporary art without the crowds of the main Smithsonians. Walk the C&O Canal towpath if the weather cooperates. Hit up one of the city's serious record shops like Smash! Records before the show.

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