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Rod Stewart in Rochester

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Rod Stewart
OLG Stage at Fallsview Casino — Niagara Falls, ON

Rod Stewart spent the early 70s as one of rock's most vital voices, first with the Faces and then launching a solo career that wouldn't quit. He had this gift for taking songs—whether they were his own or covers—and wrapping them in his distinctive raspy voice, which sounded like he'd spent thirty years smoking in a bar before he was thirty. Maggie May became a massive hit that mixed folk sensibilities with rock swagger. He kept the momentum going through the 80s with more polished productions like Sailing, which felt almost impossibly smooth for a guy who started out so rough around the edges. The hits kept coming, and while critics would later suggest his work became more pop-oriented, the basic fact remained: Stewart knew how to deliver a hook and make a song feel personal, whether it was a heartbreak ballad or something designed to pack dance floors. He's still touring and still drawing crowds.

His shows are packed with singalongs. People come knowing every word to every song. There's a looseness to them, like he's genuinely enjoying himself on stage, and that translates to the crowd. Expect the hits, expect audience participation, expect an older demographic that actually knows how to move.

Known for Maggie May, Tonight's the Night (Gonna Be Alright), Sailing, Stay With Me, Infatuation

Rochester's music scene has always leaned toward its own thing—Eastman School of Music feeds an intellectual classical tradition, while the local rock and soul communities have carved out quieter niches. Rod Stewart's blend of rock rasp and soulful interpretation should resonate here, especially with anyone who remembers when classic rock wasn't quite so classic and actually meant something about attitude.

Stay in the Park Avenue neighborhood, where the tree-lined streets and historic homes create a genteel atmosphere without feeling stuffy. Dinner at Citrine, where the wine program is thoughtful and the kitchen respects its ingredients, sets the right tone. Before or after the show, spend an afternoon at the George Eastman Museum—the photography collection is world-class, and the house itself is a masterclass in early-20th-century design. It's the kind of place that makes you think differently about composition and light, which isn't a bad headspace before hearing Bilmuri's intricate arrangements.

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