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Puscifer in Providence

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Puscifer
Boch Center Wang Theatre — Boston, MA
Puscifer
Premier Theater at Foxwoods Resort Casino — Mashantucket, CT

Puscifer is Maynard James Keenan's side project, a deliberate detour from Tool's mathematical heaviness into something weirder and more theatrical. Started in the '90s as an occasional experiment, it became a full creative outlet where Keenan could indulge his taste for industrial textures, deadpan humor, and unsettling imagery. The project embraces absurdity—album artwork featuring fictional characters, song titles that are deliberately crude, and a general refusal to take itself seriously while remaining sonically ambitious. Where Tool demands reverence, Puscifer invites skepticism. The live experience is deliberately theatrical and occasionally confrontational, with Puscifer often acting as a character rather than just a musician. It's Keenan's playground for exploring the uncomfortable space between aggression and artistry.

Puscifer shows are deliberately weird and sometimes hostile to the audience. Keenan treats crowds like they need to be earned, not entertained. Expect industrial soundscapes, theatrical staging, and an atmosphere that's more unsettling than cathartic. Not everyone leaves happy. That's intentional.

Known for Conditions of My Parole, Mommy Daddy Smoke Crack, The Remedy, Hungry for Heaven, Apocalyptical

Puscifer touched down at Veterans Memorial Auditorium in April 2016 and delivered a set that felt deliberately curated rather than thrown together. They opened with "Simultaneous" and worked through a mix that ranged from the hypnotic "Toma" to the propulsive "Money Shot," closing out the night with "Autumn." The band seemed invested in the deep cuts that night—"The Arsonist" and "Telling Ghosts" got their moment, tracks that reward patient listeners. It was the kind of show where Maynard and company treated Providence like a proper stop, not a checkbox on a tour route.

Providence's underground music scene has always had a taste for the experimental and the unapologetic. The city's venues have hosted everything from noise acts to avant-garde theater, which makes it fertile ground for Puscifer's particular brand of angular, theatrical rock. There's an audience here that doesn't need a hook to latch onto—they'll sit with something strange and uncomfortable if it's worth their time.

Stay in College Hill, where you can actually walk around without feeling like you're in a dead zone—the neighborhood has real restaurants and bars. Eat at Chez Pascal or Oberlin for something serious. Before the show, spend an afternoon at the RISD Museum, which is legitimately excellent and free if you're a student or cheap enough if you're not. The museum's collection is small enough to actually process in a couple hours, which beats most cities. Walk down Benefit Street afterward. It's the kind of place that reminds you why people actually used to settle in New England intentionally.

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