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Nekrogoblikon in Philadelphia

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Nekrogoblikon
Theatre of Living Arts — Philadelphia, PA

Nekrogoblikon are a death metal band that refuse to take themselves seriously, which is basically their entire thing. They're from Los Angeles and they've been making aggressively technical music with goblin-themed artwork and lyrics that range from genuinely dark to absurdly silly without much warning. Their songs sound like they could destroy you, and also make you laugh, sometimes in the same verse. They've built a weirdly devoted fanbase by being legitimately good musicians who just happen to treat metal like it's supposed to be fun. Albums like 'Heavy Meta' and 'Welcome to Boneville' proved they could write actual songs with hooks and structure while still maintaining the chaos. They're not a parody band exactly—they're just tired of metal taking itself so seriously, and their fans appreciate the permission that gives them to enjoy heavy music without the gatekeeping.

Nekrogoblikon shows are packed with people who came ready to lose it. The crowd is there to move, the energy is surprisingly tight for a band this silly, and there's a genuine sense that everyone knows they're in on the joke together. No pretense, just metal fans having the time of their lives.

Known for Goblin King, We Are Skeletons, Power of the Bone, Taco's Song, Dressed in Pink

Nekrogoblikon brought their particular brand of goblin metal chaos to Franklin Music Hall back in October 2022, running through a setlist that hit the weird marks you'd hope for. "The Magic Spider" and "Bones" landed with the kind of heavy-yet-humorous punch that makes them worth the trip, while "Golden Future" and "Darkness" showed they can actually write songs that stick around after the goblins leave the stage. Seven songs felt lean but effective.

Philadelphia's metal scene has always been weird and permissive—a city that bred bands like Judge and Bloodhail alongside its indie and hip-hop infrastructure. That tolerance for strangeness runs deep here. Nekrogoblikon's blend of technical proficiency and absurdist theatrics actually fits the local ethos better than you'd think.

Stay in Rittenhouse Square, where you can walk to dinner at Vetri, the restaurant that actually deserves its reputation. Spend your afternoon at the Barnes Foundation—it's genuinely world-class, even if you're not typically a museum person. Walk through Old City, grab coffee at Little Lion, wander through galleries that don't feel like they're trying too hard. If you have time before the show, check out what's playing at The Fillmore or Johnny Brenda's, venues that consistently book solid acts. The neighborhood around the venue is worth exploring on foot.

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