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Meghan Trainor in Dallas

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Meghan Trainor
Dickies Arena — Fort Worth, TX

Meghan Trainor emerged in 2014 with All About That Bass, a retro-leaning pop song that became inescapable. The track's doo-wop production and body-positive messaging hit a specific cultural moment, though it also invited criticism for its occasional condescension toward thinner women. She followed up with a self-titled debut that leaned into that throwback aesthetic, working with producers like Dr. Luke and Ryan Tedder to craft songs about relationships and confidence. Lips Are Moving and Dear Future Husband kept her in the conversation through 2015 and 2016. After that initial run, her output became less consistent, with later albums receiving less attention. She's since pivoted toward reality TV and other ventures while continuing to make music. Trainor's best work captures a specific early-2010s pop formula: infectious hooks, deliberate retro production, and direct lyrics about dating and self-worth.

Her crowds are heavily weighted toward younger fans who grew up with her early hits. Shows tend to lean into the party side of pop, with audiences singing back every word to All About That Bass. Energy is straightforward and buoyant rather than revelatory.

Known for All About That Bass, Lips Are Moving, Dear Future Husband, No Excuses, Title

Meghan Trainor brought her catalog to The Pavilion at Toyota Music Factory in October, running through 28 songs with the kind of precision you'd expect from someone who's spent years perfecting her pop-R&B formula. She leaned into the deeper cuts—"Slippin'" and "Genetics" showed restraint alongside the inevitable "All About That Bass" moment. The setlist had that interesting flow where she'd hit you with something like "Crowded Room" before pivoting to "Me Too," proving she's built more than just that one viral moment. Closing with "Made You Look" felt like a mic drop that actually landed.

Dallas has a complicated relationship with pop music—it's never been the city's main identity, but it's got a genuine appetite for it. The pop scene here tends to favor artists with a bit of edge or novelty, which plays well for Trainor's throwback approach. Between the legacy venues downtown and the newer spots, there's room for pop that doesn't take itself too seriously.

Stay in Uptown or the Design District — both have actual walkability and better restaurants than most of the city. Hit Uchi for inventive Japanese food before the show, or Mister Charles for French-leaning bistro cooking. Spend an afternoon in the Nasher Sculpture Center if you want something quieter; it's genuinely good and way less crowded than you'd expect. Deep Ellum's worth walking through for the murals and general vibe, though keep expectations modest. The Sixth Floor Museum covers JFK's assassination if you want something weightier. Catch drinks somewhere in Bishop Arts before heading to the venue.

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