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Les Claypool's Frog Brigade in Boston

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Les Claypool's Frog Brigade
Leader Bank Pavilion — Boston, MA

Les Claypool's Frog Brigade is the project where Praxis and Praxis-adjacent bass weirdness meets actual songs. Starting in the late 90s, Claypool gathered musicians who could keep up with his amphibian-fixated vision — people like Bryan Patrick Martin on drums and various rotating members including Gill Peled. The Frog Brigade treats improvisation like it's mandatory but not required to sound like free jazz. You get structured weirdness, the kind where "Brain to Mouth" somehow becomes a vehicle for both groove and chaos. Unlike Claypool's main gig with Praxis, the Frogs lean more towards maintaining songs while deconstructing them. The band's recorded output bounces between studio clarity and bootleg-quality live captures, which seems intentional. They've never cared much about smoothing the edges or making sense to casual listeners. It's jamming for people who actually want something to grab onto.

People stand around confused for the first two songs, then gradually realize they're watching something genuinely weird happen. Claypool's bass does impossible things. Crowds get quietly invested in where this is going. No mosh pits. Mostly just sustained attention and occasional bursts of recognition.

Known for The Big Eyeball in the Sky, Holy Mackerel, Brain to Mouth, Rhinosaur, Me in Honey

Les Claypool's Frog Brigade rolled through Boston in June 2023, settling into MGM Music Hall at Fenway for a set that proved why they've earned their cult status. The band dug deep into their catalog, stretching across two movements of 'Cricket and the Genie' early on, then pivoting hard into a full Pink Floyd 'Animals' suite—four tracks straight from the 1977 prog-rock masterpiece, 'Pigs on the Wing' bookending 'Dogs' and 'Sheep.' It's exactly the kind of move the Frog Brigade pulls off: reverent enough to honor the material, weird enough to make it theirs. Late-set cuts like 'Whamola' and 'Southbound Pachyderm' kept things grounded in their own fractured funk territory. Boston's always been receptive to musicians willing to treat their instruments like they're being reinvented in real time.

Boston's underground has always had room for the strange and technically demanding. The city bred its own progressive rock culture—from Boston's stadium dominance in the '70s to a thriving jam and funk scene that never completely died out. Les Claypool's brand of virtuosic weirdness, where the bass is essentially the lead instrument and nothing's quite where you'd expect it, finds an audience here. The city respects musicianship that borders on the unhinged.

Stay in the Back Bay neighborhood—it's walkable, lined with brownstones, and positioned between the best dining and the waterfront. Book a table at No. 9 Park for New American cooking that actually justifies the hype, or hit Oleana in nearby Cambridge if you want something fresher and less fussy. Spend an afternoon at the Isabella Stewart Gardner Museum, a genuinely strange and rewarding art collection housed in a deliberately eccentric mansion. The Prudential Center has decent shopping if that's your thing, and the waterfront is legitimately beautiful for a walk before the show.

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