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iDKHOW in Salt Lake City

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iDKHOW
The Union — Salt Lake City, UT

iDKHOW is a two-piece band featuring Dallon Weekes and Ryan Seaman, emerging from the alternative rock scene with a sound that straddles emo sensibility and indie rock irreverence. Weekes, known for his work with The Brobecks, brought songwriting chops to the project while Seaman provided tight, precise drumming. The band's early output caught attention for its slacker energy and genuinely weird subject matter delivered with deadpan intensity. Songs like Choke showcase their ability to make anxious, introspective lyrics feel almost conversational rather than desperate. They've built a dedicated following by refusing to take themselves too seriously while actually caring about the craft, a balancing act that resonates with people tired of both irony and sincerity as separate extremes. Their presence feels less like a band with a mission statement and more like the work of two people making music they wanted to hear.

Shows are tight and weird in equal measure. Weekes has this detached stage presence that somehow holds attention, while Seaman locks in drumming that hits harder live. Crowds tend toward genuine fans rather than casual listeners, people who actually know the deeper cuts. Lots of singalongs on choruses but it never tips into crowd-service territory.

Known for Choke, Web Weaver, Leave Me Alone, Absinthe, The Funeral

iDKHOW brought their theatrical pop-punk energy to Utah State Fairpark in May 2025, running through a lean eleven-song set that leaned heavy on their sharper cuts. They opened with the propulsive "Do It All the Time" and kept momentum through "Social Climb" and the biting "Leave Me Alone," but it was the deeper material that landed hardest—"DOWNSIDE" and "Debra" gave the crowd something to chew on beyond the obvious hooks. The band's Salt Lake City history traces back through a devoted following in the Mountain West, where their particular brand of emo-adjacent pop has always resonated with audiences hungry for something weirder than the mainstream. By May 2025, they'd cemented themselves as a reliable draw for the city's devoted alt-pop contingent.

Salt Lake City's music scene has quietly developed a taste for the theatrical and unconventional. The city's indie and alternative crowds have consistently supported artists who blend humor with genuine musicianship, making it fertile ground for iDKHOW's brand of pop-punk surrealism. Venues like Utah State Fairpark and smaller clubs have fostered a community that values experimentation over trend-chasing, which explains why the band finds consistent support here alongside other genre-bending acts.

Stay in the Avenues neighborhood—tree-lined streets with actual character, close enough to downtown but removed from the noise. For dinner, Lazy Dog in Sugar House serves exceptional Colorado lamb and maintains a wine list that doesn't insult your intelligence. Spend an afternoon at the Natural History Museum of Utah in Red Butte Canyon; the building itself is architecturally stunning and the collection gives real context to the landscape you're actually standing in. The city's proximity to actual mountains matters when you've got downtime.

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