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iDKHOW in Rochester

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iDKHOW
Buffalo RiverWorks — Buffalo, NY

iDKHOW is a two-piece band featuring Dallon Weekes and Ryan Seaman, emerging from the alternative rock scene with a sound that straddles emo sensibility and indie rock irreverence. Weekes, known for his work with The Brobecks, brought songwriting chops to the project while Seaman provided tight, precise drumming. The band's early output caught attention for its slacker energy and genuinely weird subject matter delivered with deadpan intensity. Songs like Choke showcase their ability to make anxious, introspective lyrics feel almost conversational rather than desperate. They've built a dedicated following by refusing to take themselves too seriously while actually caring about the craft, a balancing act that resonates with people tired of both irony and sincerity as separate extremes. Their presence feels less like a band with a mission statement and more like the work of two people making music they wanted to hear.

Shows are tight and weird in equal measure. Weekes has this detached stage presence that somehow holds attention, while Seaman locks in drumming that hits harder live. Crowds tend toward genuine fans rather than casual listeners, people who actually know the deeper cuts. Lots of singalongs on choruses but it never tips into crowd-service territory.

Known for Choke, Web Weaver, Leave Me Alone, Absinthe, The Funeral

iDKHOW rolled through Water Street Music Hall in November 2024 with the kind of set that rewarded the diehards. They opened with "Leave Me Alone" and spent the next hour threading through their catalog with real purpose — mixing the immediate hooks of "Social Climb" and "Razzmatazz" with stranger, darker material like "GLOOMTOWN BRATS" and "Visitation of the Ghost." The nineteen-song set closed with "Choke," a fitting end that let them leave things unsettled. It's the kind of show that suggested they're thinking about more than just the singles, treating Rochester like a room full of people who actually know their records.

Rochester's music scene has always had a taste for the theatrical and slightly weird — there's room here for artists who don't fit neatly into one lane. iDKHOW's blend of pop sensibility and genuine oddness lands well in a city that supports venues like Water Street, where you can catch acts willing to be both clever and unsettling in the same breath. It's the kind of place where the audience actually pays attention to the deeper cuts.

Stay in the Park Avenue neighborhood, where the tree-lined streets and historic homes create a genteel atmosphere without feeling stuffy. Dinner at Citrine, where the wine program is thoughtful and the kitchen respects its ingredients, sets the right tone. Before or after the show, spend an afternoon at the George Eastman Museum—the photography collection is world-class, and the house itself is a masterclass in early-20th-century design. It's the kind of place that makes you think differently about composition and light, which isn't a bad headspace before hearing Bilmuri's intricate arrangements.

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