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Gorillaz in Austin

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Gorillaz
Moody Center ATX — Austin, TX

Gorillaz started in 1998 as Damon Albarn's experiment with animated characters and genre-blending. The group's self-titled debut paired him with producer Dan the Automator and established the core lineup of animated members: 2D, Murdoc, Noodle, and Russel. They've never been a traditional band. Humanz brought in collaborators like Popcaan and Vince Staples. The Music Scenes project continued the restless approach, treating albums like snapshots rather than definitive statements. What holds it together isn't a consistent sound so much as Albarn's willingness to chase whatever interests him—funk, dub, trap, grime—without apology. Gorillaz works because the artifice of the cartoon covers actually frees them to be weirder.

Their shows are sprawling multimedia events where the cartoon characters loom behind the band. Crowds are mixed—hip-hop heads, alternative fans, people who just know the singles. The energy shifts between groovy, almost loose moments and genuinely packed dance floor intensity. It feels less like a concert and more like you showed up to watch a band actively not taking themselves seriously.

Known for Clint Eastwood, Feel Good Inc., Humility, Rhinestone Eyes, On Melancholy Hill

Gorillaz rolled through Moody Center in September 2022 with the kind of setlist that rewarded longtime listeners. They opened with the scratchy, hyperactive "M1 A1" and spent the next two hours pulling from every era of their catalog—"Rhinestone Eyes" and "O Green World" sat comfortably next to newer material like "Cracker Island." The deep cuts hit harder than the obvious moves: "New Genius (Brother)" and "Skinny Ape" got their moment, "Opium" arrived like a fever dream in the middle of the set, and "Cloud of Unknowing" proved they weren't just nostalgia-baiting. They closed with "Clint Eastwood," the song that basically invented them, sending people out into the Austin heat with that loopy, downtempo rush still ringing in their ears.

Austin's music scene thrives on eclecticism, and Gorillaz fit that perfectly—they're too weird for straightforward rock radio but too melodic for pure hip-hop purists. The city's "Keep Austin Weird" ethos aligns with the band's genre-blending approach, where alt-rock, hip-hop, and electronic production coexist without apology. Local venues and festivals have always embraced acts that refuse easy categorization, making Austin a natural stop for a band that treats genre boundaries like suggestions rather than rules.

Stay in East Austin, where you'll find better restaurants and a neighborhood that actually feels alive. Dinner at Suerte—confident, creative food in a space that doesn't try too hard. During the day, wander the galleries and vintage shops along East 6th, or head to Zilker Park to sit with a coffee and watch Austin be itself. If you've got time, catch live music at Mohawk or Hotel Vegas—smaller rooms where you can see how Austin's songwriting community actually operates. The city's best asset isn't any single thing; it's the density of good people doing interesting work.

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