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Diana Krall in Boston

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Diana Krall
The Cabot — Beverly, MA
Diana Krall
The Stafford Palace Theater — Stafford Springs, CT

Diana Krall is a Canadian jazz pianist and vocalist who became one of the best-selling jazz artists of the last two decades by making the Great American Songbook feel contemporary and lived-in. Born in Nanaimo, British Columbia in 1973, she studied in Los Angeles and London before releasing her breakthrough album "When I Look in Your Eyes" in 1999, which unexpectedly climbed mainstream charts worldwide. Her version of "The Look of Love" epitomizes her approach: sultry but never overwrought, delivered with the clarity of someone who understands every lyric she's singing. She's since become synonymous with sophisticated pop-jazz territory, working with producer Tommy LiPuma and touring arenas instead of clubs. Her appeal crosses generations because she treats these old songs with genuine respect rather than nostalgia. Krall plays piano at the core of everything—her fingers on the keys are the real voice here, with her vocals layered on top rather than vice versa.

Her shows are intimate despite the venue size. Audiences sit quietly, attentive, leaning forward. She plays piano for real at every show, no backing tracks. The energy is sophisticated and calm, with occasional moments of genuine wit between songs. People dress up. You hear silverware clinking.

Known for The Look of Love, Fly Me to the Moon, Black Keys, I'll Look Around, Love Looks Good on You

Diana Krall's April 2022 stop at the Colonial Theatre showed why she's remained a fixture in Boston's jazz landscape. She opened with "You Call It Madness (But I Call It Love)" and settled into a set that leaned on standards—"Moonglow," "I've Got You Under My Skin"—but the real draw was watching her navigate deeper cuts like "I Was Doing All Right" and "I Don't Know Enough About You." These aren't songs that announce themselves. They require the kind of attention Krall commands, a pianist who treats the American Songbook like it's hers to interpret rather than preserve. She closed with "East of the Sun (and West of the Moon)," a choice that felt like an afterthought until it wasn't.

Boston has always been serious about jazz—not the tourist version, the real thing. The city's jazz scene has historically favored musicians who respect the tradition without getting stuck in it, and that's exactly Krall's lane. She sits alongside a lineage of pianists and singers who understand that standards aren't museum pieces. The Colonial Theatre itself has hosted enough jazz to know the difference between a performer going through the motions and one actually in conversation with the material.

Stay in the Back Bay neighborhood—it's walkable, lined with brownstones, and positioned between the best dining and the waterfront. Book a table at No. 9 Park for New American cooking that actually justifies the hype, or hit Oleana in nearby Cambridge if you want something fresher and less fussy. Spend an afternoon at the Isabella Stewart Gardner Museum, a genuinely strange and rewarding art collection housed in a deliberately eccentric mansion. The Prudential Center has decent shopping if that's your thing, and the waterfront is legitimately beautiful for a walk before the show.

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