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Courtney Barnett in Baltimore

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Courtney Barnett
The Anthem — Washington, DC

Courtney Barnett is an Australian singer-songwriter who makes indie rock that feels both deliberately slack and genuinely intricate. Her breakthrough came with the 2015 album 'Sometimes I Sit and Think, and Sometimes I Just Sit,' which balanced deadpan vocal delivery with surprisingly complex arrangements and lyrics that ranged from mundane observation to genuine emotional weight. Songs like 'Pedestrian at Best' and 'Aqua Profunda' showcase her ability to write about everyday anxiety and self-doubt without ever sounding precious or overwrought. She followed that success with 'Lush' in 2018, continuing to explore themes of relationships and self-worth. Her appeal lies in how she makes the unglamorous feel compelling—there's something refreshingly honest about her refusal to perform enthusiasm or pretend songs need to be big to matter.

Known for Pedestrian at Best, Nobody Really Cares if You Don't Go to the Party, Aqua Profunda, Avant Gardener, Kim's Caravan

Courtney Barnett brought her characteristic deadpan observance to Baltimore in September 2022 at Rams Head Live, running through 17 songs that showcased why her songwriting cuts deeper than the dry delivery suggests. She opened with "Rae Street" and early on hit "Depreston," a song about browsing real estate listings that somehow lands with genuine melancholy. The setlist bent toward her catalog's tighter moments—"Lance Jr" and "Elevator Operator" got their due alongside the more obvious "Pedestrian at Best." By the time she got to "Write a List of Things to Look Forward To," the room had settled into her particular frequency: humor and sadness existing in the same breath. She closed with "Before You Gotta Go," which felt like the right note to end on.

Baltimore's indie and alternative rock scene has always had an ear for the unpolished and genuine. That sensibility aligns naturally with Barnett's approach—she's never been interested in smoothing out the rough edges of her observations or her arrangements. The city's DIY tradition and its comfort with artists who prioritize honesty over polish creates an audience that gets what she's doing immediately.

Stay in Canton or Federal Hill—both neighborhoods have the restaurants and bars worth spending time in. Try Alma Cocina for Peruvian fare or Pabu for Japanese if you want something substantial before the show. Walk around the Inner Harbor, grab coffee at a local roaster. The Walters Art Museum is genuinely excellent and free. Check out what's at The Lyric or Hippodrome if there's live music the nights before or after. Baltimore's best asset is that it doesn't feel overly polished—the authenticity matches the vibe of a band like Journey.

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