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Chicago in St. Louis

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Chicago
Hollywood Casino Amphitheater — Maryland Heights, MO

Chicago spent the 1970s and 80s proving that a rock band could also be genuinely great at writing pop songs. They showed up with horns—lots of them—and used them to create this weird alchemy where massive orchestration felt natural instead of pretentious. "25 or 6 to 4" became the template for how to write a three-minute rock song that somehow feels both urgent and thoughtful. The band shifted between harder rock material and smoother ballads with a facility that shouldn't have worked but did. By the time "If You Leave Me Now" and "Hard to Say I'm Sorry" hit, they'd mastered the art of making people care about mid-tempo songs about relationships. They weren't reinventing anything, but they did what mattered more: they made a lot of people feel something specific in a very well-crafted way.

Professional and polished, sometimes to a fault. The horn section is tighter than it has any right to be. Crowds sing along to the ballads more than the rockers. It's the kind of show where people actually sit down in the middle sections.

Known for 25 or 6 to 4, Saturday in the Park, Make Me Smile, If You Leave Me Now, Hard to Say I'm Sorry

Chicago has a long history with St. Louis, and their June 2025 stop at Stifel Theatre showed why they've remained relevant for over fifty years. They opened with an ambitious stretch—"Introduction" flowing into "Dialogue (Part I & II)" and "Questions 67 & 68"—pulling from their early, adventurous catalog. The setlist balanced deep cuts like "West Virginia Fantasies" and "Anxiety's Moment" with the anthems everyone came for: "Saturday in the Park," "25 or 6 to 4," and "Hard to Say I'm Sorry / Get Away" closed things out. Twenty-eight songs across the evening felt like a conversation with a band that remembers what made them matter in the first place.

St. Louis's music heritage runs deep—blues, soul, and rock all found roots here—which means the city has always appreciated bands that blend genres and aren't afraid of sophistication. Chicago's horn-driven rock and progressive ambitions align with that sensibility. The city's audiences tend to respect musicianship and longevity over novelty, something that's kept Chicago's multiheaded arrangement relevant in rooms like Stifel Theatre, where technical proficiency still matters.

Base yourself in the Central West End, where the tree-lined streets and converted lofts give the neighborhood a genuinely livable vibe. Hit Broadway Oyster Bar for something with actual character, or Park Avenue Coffee if you need to ease in. Spend an afternoon at the City Museum—it's genuinely weird and worth your time, not a tourist trap. The Pulitzer Arts Foundation is also worth an hour if contemporary art is your thing. St. Louis takes itself less seriously than most cities, which makes it easy to move around and find decent food without overthinking it.

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