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Chicago in Cleveland

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Chicago
Blossom Music Center — Cuyahoga Falls, OH

Chicago spent the 1970s and 80s proving that a rock band could also be genuinely great at writing pop songs. They showed up with horns—lots of them—and used them to create this weird alchemy where massive orchestration felt natural instead of pretentious. "25 or 6 to 4" became the template for how to write a three-minute rock song that somehow feels both urgent and thoughtful. The band shifted between harder rock material and smoother ballads with a facility that shouldn't have worked but did. By the time "If You Leave Me Now" and "Hard to Say I'm Sorry" hit, they'd mastered the art of making people care about mid-tempo songs about relationships. They weren't reinventing anything, but they did what mattered more: they made a lot of people feel something specific in a very well-crafted way.

Professional and polished, sometimes to a fault. The horn section is tighter than it has any right to be. Crowds sing along to the ballads more than the rockers. It's the kind of show where people actually sit down in the middle sections.

Known for 25 or 6 to 4, Saturday in the Park, Make Me Smile, If You Leave Me Now, Hard to Say I'm Sorry

Chicago played Music Box Supper Club in Cleveland on September 6, 2018, with a 13-song set that leaned into deeper, less obvious material. Roll Away and Mi Salvador opened things, and the set drew from the Love In Wartime and Cannonball eras rather than the classic hits. Lodestar, Superlover, and Etoile d'amour all showed up. Baton Rouge and Barley added some texture before All the City Girls and American Flowers closed things out, with American Flowers serving as the encore. A very different Chicago set than most people expect.

Cleveland's always been a rock city first, but it's got serious brass in its DNA too. The Isley Brothers, Earth Wind & Fire, and more recently artists like Black Lips have moved through here. Chicago's layered horn arrangements should resonate with a crowd that understands how to build something complex from multiple parts working in unison.

Stay in Ohio City, where Victorian brownstones meet serious coffee shops and galleries. Dinner at Fairmount, where chef Jonathon Sawyer sources locally and cooks with real technique—expect seasonal American food that doesn't announce itself. Spend an afternoon at the Cleveland Museum of Art, which is free and genuinely excellent. Walk through the West Side Market before the show, grab something you don't need, and feel the bones of the city. The whole neighborhood has that working-class dignity that makes Cleveland distinct.

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