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CAKE in Buffalo

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CAKE
Terminal B At The Outer Harbor — Buffalo, NY

CAKE formed in Sacramento in the mid-90s and built a devoted following through sheer weirdness and craft. They're the band that sounds like they're always slightly amused by their own existence. "The Distance" and "Short Skirt/Long Jacket" became unlikely radio hits despite being fundamentally strange songs—deadpan, synth-driven, built on the kind of angular guitar work that shouldn't work with horn sections but somehow does. Their records are dense with detail: cheap drum machines paired with live drums, minimalist vocals that sit far back in the mix, and this pervasive sense that they're playing inside some private joke. The band never chased trends, which meant they spent years as a cult thing before suddenly landing on soundtracks and sports broadcasts. They've remained prolific and largely indifferent to outside expectations, which is basically the only way to maintain sanity as a band this singular for this long.

CAKE shows feel intentionally awkward in a way that works. The horn players are dead serious. The crowd gets it or doesn't. Nobody's trying to whip up energy—it's all precision and restraint. Genuinely weird vibe, in the best way.

Known for The Distance, Never There, Short Skirt/Long Jacket, Going the Distance, Love You Less

CAKE rolled through Buffalo in July 2015 for a set at Canalside that hit all the marks—the band ran through their catalog with the kind of assured swagger that comes from a decade-plus of doing this. They opened with "Sheep Go to Heaven" and leaned heavily into their biggest moments: "Short Skirt/Long Jacket" and "The Distance" bookended the night. But what stuck was hearing them stretch into "Mustache Man (Wasted)" and "Never There," tracks that showcase why CAKE has always been more than just their singles. The band closed on "I Will Survive," which felt like the right choice for a lakefront summer show—not a moment of irony, just a good cover done better than it had any right to be.

Buffalo's music scene has always had room for bands that don't fit neatly into one box, and CAKE's brand of art-rock-meets-alt-pop sensibility played well there. The city's venue culture—from larger waterfront stages to smaller clubs—has traditionally supported acts that appeal to discerning listeners over trend-chasers. CAKE's instrumental precision and John McCrea's deadpan delivery align with Buffalo's appreciation for musicians who treat their craft seriously without taking themselves too seriously.

Stay in Allentown, where the neighborhood's Victorian architecture and walkable blocks of galleries, vintage shops, and bars feel genuinely lived-in. Dinner at Sear should be priority—chef Jeremy Boyle's locally-sourced approach is legitimately ambitious without the pretense. Catch the contemporary art at Albright-Knox (their recent renovations are worth your time), then spend an evening at one of the neighborhood's dive bars like The Owl that still feels like actual people hang there, not tourists.

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