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Bush in Worcester

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Bush
MGM Music Hall at Fenway — Boston, MA

Bush emerged from the Coventry post-grunge scene in the early 90s with a sound that felt heavier than most of their Britpop contemporaries. Gavin Rossdale's vocals had that detached, almost bored quality that made angst sound less like teenage desperation and more like someone who'd seen it all already. Their self-titled debut in 1994 became a sleeper hit, particularly in the US, where 'Glycerine' climbed radio playlists and became inescapable by 1995. That song's melancholy chorus about someone slipping away defined a particular kind of mid-90s sadness that still hits different. The band sustained momentum through the late 90s with albums like 'Razorblade Suitcase' and 'The Science of Things,' trading in guitar-driven alt-rock that occupied space between grunge's aftermath and the harder edges of industrial rock. They disbanded in 2002 but reunited in 2010, spending the last decade and a half doing what many 90s bands do now: playing the hits for people who remember when 'Comedown' was everywhere.

Bush shows are straightforward alternative rock gigs. Rossdale still owns the stage with that understated presence, and crowds mostly sing along to the 90s hits. Energy stays locked in that mid-tempo groove where people can actually think about the lyrics. Not particularly wild, but solid.

Known for Glycerine, Comedown, Greedy Fly, Swallowed, Mouth

Bush rolled through Worcester in August 2015 at Mount Wachusett Festival Grounds, a set that leaned into the band's catalog with a mix of deep cuts and crowd pleasers. They opened with "Waiting on an Angel" and moved through eleven songs that traced their arc from the '90s alt-rock surge to their later work. "Stuck Like Glue" and "Giving It Up" sat alongside less obvious picks like "Trailer Hitch" and "Bar With a Pool in It"—the kind of selections that suggest the band was thinking about what mattered to people who'd actually followed them over time, not just the radio hits. It was the kind of set that rewards longtime listeners.

Worcester's rock scene has always been scrappy and independent, the kind of place where alt-rock and post-grunge found real traction in the '90s and early 2000s. The city's venues have hosted everyone from touring acts to homegrown bands, maintaining a no-nonsense approach to live music. Bush's brand of accessible alternative rock fits that sensibility—straightforward, unpretentious, focused on the songs rather than the spectacle. Worcester audiences have never needed much more than that.

Stay in the Elm Hill neighborhood — it's got actual character with tree-lined streets and the best local dining concentration. Book a table at Elm Tavern for elevated comfort food, then spend an afternoon at the Worcester Art Museum, which has a surprisingly strong collection that rewards a couple hours. If you want something quieter before the show, The Hanover Theatre is worth checking even if you're not catching a play — the building itself is an ornate 1904 gem. The walk from Elm Hill to the venue area is doable and keeps you off the highway entirely.

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