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Buckethead in St. Louis

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Buckethead
Delmar Hall — Saint Louis, MO

Buckethead is the kind of guitarist who makes you question whether the instrument has limits. Playing behind a mask and bucket since the early 90s, he's released hundreds of albums — some officially, many just on his own terms. He started as a session player for Guns N' Roses and Devo, but his real obsession is exploring what an electric guitar can actually do. His catalog spans ambient guitar meditation to explosive shred-metal fusion, often within the same album. He's collaborative but prolific in isolation, treating the studio like a permanent jam space. Fans treat his discography like an archaeological dig, hunting for the next gem in his vast, often cryptic catalog.

Buckethead live is a full-contact guitar clinic. The mask stays on, he barely talks, and he'll play technically impossible things while somehow making it feel natural. Crowds are reverent and attentive — these aren't hanging-back shows. He might play ambient passages that feel like meditation, then switch to pure shred chaos without warning.

Known for A Lot of Fun, Here Comes the Sun, Enter the Chicken, Soothsayer, Electric Tears

Buckethead rolled through St. Louis in May 2019 at Atomic Cowboy Pavilion with the kind of setlist that rewards the obsessive. He opened with "It's All Forgotten Now" and spent the next two hours moving between his own fractured instrumentals and unexpected covers—"Chim Chim Cher-ee" from Mary Poppins, the Star Wars theme, "When You Wish Upon a Star." These detours into pop culture feel less like novelty and more like Buckethead treating his influences with the same warped, fretboard-melting intensity he brings to originals like "Soothsayer" and "Jowls." By the time he closed with "Siege Engine," the set had covered everything from avant-garde noise experiments to straightforward guitar pyrotechnics. It was the kind of show where you never quite knew what was coming next.

St. Louis has always had a weird relationship with guitar music—blues roots run deep, but the city's also embraced experimental and avant-garde sounds. Buckethead fits somewhere in that conversation: a virtuoso who treats the instrument as a laboratory rather than just a vehicle for showing off. The Midwest tends to appreciate musicians who work outside traditional structures, and Buckethead's catalog of prolific, genre-defying albums aligns with that sensibility. He's found an audience here precisely because St. Louis listeners don't need their instrumental music neatly packaged.

Base yourself in the Central West End, where the tree-lined streets and converted lofts give the neighborhood a genuinely livable vibe. Hit Broadway Oyster Bar for something with actual character, or Park Avenue Coffee if you need to ease in. Spend an afternoon at the City Museum—it's genuinely weird and worth your time, not a tourist trap. The Pulitzer Arts Foundation is also worth an hour if contemporary art is your thing. St. Louis takes itself less seriously than most cities, which makes it easy to move around and find decent food without overthinking it.

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