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Broken Social Scene in San Jose

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Broken Social Scene
The Masonic — San Francisco, CA
Broken Social Scene
The Masonic — San Francisco, CA

Broken Social Scene started as Kevin Drew's solo project in Toronto in the late 1990s and grew into this sprawling collective that nobody can quite pin down. The band proper includes Drew, Brendan Canning, and a rotating cast of musicians that sometimes feels like half of the Toronto indie scene showed up to play. Their landmark 2002 album You Forgot It in People established them as people who cared more about textures and weird production choices than conventional song structures. Anthems for a Seventeen Year-Old Girl became their calling card—a song that builds from whisper to something almost anthemic without ever getting loud. They've made albums that range from the guitar-heavy brutalism of Self-Titled to the more restrained, orchestral work of Forgiveness Rock Record. Live, they've become known for their willingness to stretch songs and improvise, turning rehearsals into semi-public events. The band's influence on indie rock over two decades has been substantial, mostly because they proved you could be successful while being genuinely weird about it.

Their shows are controlled chaos with eight to twelve people on stage. Expect long instrumental passages where the crowd just watches, intently. The energy builds subtly rather than exploding. People talk less than at typical rock shows, actually paying attention.

Known for Anthems for a Seventeen Year-Old Girl, 7/4 (Shorelines), Feels Good, Cause = Time, Handsome Ghost

San Jose's music scene tends toward tech-world polish and arena-ready acts, which makes Broken Social Scene's sheer messiness — their willingness to let eight musicians play at once without ironing out the contradictions — refreshingly weird. The city has a soft spot for ambitious indie rock when it actually shows up, and BSS represents the kind of art-damaged maximalism that rarely tours here.

Stay in Willow Glen, where tree-lined streets and local galleries give you something to do before the show. Hit Adega for Portuguese cuisine that actually justifies the price, then walk off dinner around the neighborhood's vintage shops. If you've got afternoon time, the San José Museum of Art is legitimately worth an hour—it's small enough to not feel like a chore, and their contemporary collection is better curated than you'd expect. Grab coffee at Chromatic before heading to the venue. The area's low-key enough that you won't feel like you're in a tourist trap, but established enough that everything works.

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