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Black Label Society in Hartford

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Black Label Society
Mohegan Sun Arena — Uncasville, CT

Black Label Society is Zakk Wylde's main outlet, a heavy metal band that's been churning out thick, sludgy riffs since 1998. Wylde built the project as his counterpoint to his work with Ozzy Osbourne, and it's become the place where he indulges his full metal instincts without restraint. The band delivers crushing doom-tinged metal with Wylde's signature guitar work—those pentatonic shreds layered over fuzzy, distorted chords that hit like a sledgehammer. Black Label Society albums tend toward the same sonic blueprint, which works because the blueprint is loud and effective. Live, they're a freight train. Wylde's treated the band less like a side project and more like his primary vehicle, and fans respect the commitment. They're the kind of band that rewards sitting with their records for a while, letting the heaviness accumulate.

Wylde and crew bring unapologetic heaviness. Crowds are locked in, headbanging in unison. Wylde's guitar work is immaculate and intentional. The whole thing runs longer than you'd expect, which nobody minds.

Known for Stillborn, Suicide Messiah, Flooding the Skies, Stoned and Alone, Fire It Up

Black Label Society played Webster Theater in Hartford on November 9, 2021, with a 14-song set that leaned on the heavier end of their catalog. They opened with "Bleed for Me" and "Demise of Sanity" before moving into "Overlord" and "Heart of Darkness." "The Blessed Hellride" was a nice mid-set pull, and "Spoke in the Wheel" kept the intensity up. "In This River" provided the emotional anchor, as it always does. They closed with "Fire It Up," "Suicide Messiah," and "Stillborn" -- a three-song finishing sequence that leaves nothing on the table.

Hartford's heavy music scene has always existed in the shadow of bigger Northeast markets, but there's a genuine appetite for metal here. The city's seen its share of touring acts, and metal fans tend to show up when the right bands roll through. Black Label Society's blend of hard rock and metal should find willing ears in a crowd that knows its way around a riff.

Stay in the West End neighborhood—it's got actual character and puts you near some decent restaurants. Head to Saluto for Italian that doesn't oversell itself, or The Sycamore for New American food done properly. Before the show, walk through Bushnell Park and check out the Elizabeth Park conservatory if the weather cooperates. After, grab a drink at Vaughan's Public House if you want to decompress somewhere that feels lived-in rather than designed. The Wadsworth Atheneum is worth an hour if you have time to kill during the day.

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