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All That Remains in New York

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All That Remains
Toad's Place — New Haven, CT

All That Remains formed in 1998 in Massachusetts and spent their early years as a melodic death metal band before shifting toward a heavier metalcore sound around 2004. They hit their commercial peak in the late 2000s with records like "Overcome" and "A War You Cannot Win," songs that blended Phil Labonte's aggressive vocals with surprisingly accessible melodies. The band's been through the usual metal attrition—lineup changes, brief hiatus, various label situations—but they've kept touring consistently and releasing albums on their own terms. They're the kind of band that plays to packed clubs and mid-sized venues, drawing a loyal crowd that's stuck with them through every era shift. Their fanbase knows the deep cuts as well as the singles, which says something about their staying power in a genre where most bands either blow up or disappear.

Their shows are loud and relentless. Labonte's presence dominates the stage—he's an aggressive frontman who clearly means it. The crowd responds in kind, lots of aggressive dancing and circle pits during the heavier tracks. They don't do much banter, just business.

Known for Two Weeks, It Dwells in Me, What If I Was Nothing, The Last Hero, Overcome

All That Remains has maintained a steady presence in New York's metal scene, most recently stopping by the Wellmont Theater in May 2022. That night they worked through a setlist that balanced their catalog nicely—opening with the sharp accusation of 'Indictment' and letting deeper cuts like 'Chiron' and 'It Dwells in Me' sit alongside the more familiar 'This Calling'. The band closed out with 'Two Weeks', a song that hits harder the more you think about it. They've built the kind of following here where you get a mix of longtime fans and curious newcomers, all waiting to see what this version of metalcore sounds like when played live.

New York's metal scene has always been built on bands who can navigate between radio accessibility and genuine heaviness—the kind of arena rock that doesn't pretend to be something it's not. All That Remains fit that mold pretty cleanly. The city's venues from the Bowery to larger theaters upstate have hosted plenty of metalcore and melodic metal bands, but there's something about the mid-tier circuit where acts like this actually connect with crowds. It's less about spectacle and more about the songs themselves.

Stay in the Upper West Side near Central Park—quieter than Midtown, better restaurants, and close enough to everywhere that matters. Dinner at Balthazar in SoHo if you want classic New York energy, or Gramercy Tavern if you prefer something less scene-y. Spend your afternoon at the Met or catching live music at Blue Note or The Basement—both venues where you'll see the players who influenced Mars's sound. Walk through Washington Square Park, grab a coffee, remember why New York mattered to music in the first place.

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